Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Friday, January 13, 2017

PHOTO MOMENT: Prepping for a creativity



Library at KAUST set up for a workshop in Calligraphy during WEP2017.

Contemporary art in Saudi Arabia



People always seem to be surprised that art (and really good art) exists in Saudi Arabia.  There may be certain restrictions due to Muslim religion, but art can still bloom within restrictions.  And often what comes out are powerful and memorizing images that speak to you.



This was the case of the Maïmouna Guerresi's  Solo Exhibition entitled, "The Journey Of The Sparrow Hawk & Other Stories." You can see more of her work on her website: https://www.artsy.net/artist/maimouna-guerresi

Her work is currently being shown in the Hafez Gallery (http://www.hafezgallery.com) in Jeddah and the work is haunting with images showing the emptiness hidden under the abaya of the women and the isolation.  And yet in each piece you sense the quiet strength within the women.

Thursday, January 12, 2017

Mesmerized by the art and words of Qin Tian


Qin Tian's exhibit at KAUST in January 2017
Writing has always been a part of my life. I wrote my first novel when I was 6 about an Irish Setter named Cinnamon and his adventures living with a koala bear in New Zealand (it wasn’t very good). All my life, I have always jotted down lines of poetry, movie plot ideas or the first couple chapters of a book whenever inspiration hits.

But it was art that I focused on throughout university. My art went on hold when I became a journalist over 20 years ago, but my artist’s soul is still there.

This week I had the honor of having dinner with Qin Tian, one of China’s national artists. His work is incredible to see, but when you hear him talk about his passion and the vision behind the paintings, they completely come to life.

The talk he gave at KAUST during their WEP2017 lecture series was in his native dialect from his area China, but I asked his interpreter to send me the English version so I could share it with you.

These are his words:


I'm Qin Tian from China.

I have long been yearning for an opportunity to pay a visit to your esteemed university ever since I gained my understandings of it via internet. Today I am so much thrilled with joy to personally visit here, and I am overwhelmed by your hospitality and I am really honored.

This visit to your university has been greatly supported and assisted by my friends in China and the leaders of the university. I hereby extend my sincerest appreciation to them. Also, I appreciate your attendance to my speech. Hopefully, may all of you have a general understanding of Chinese calligraphy and painting arts through my academic lecture and exhibition of my works, and may you be benefited in this wonderful visual feast.


The following is what I am about to share with you:

一、书法作品 

1. Calligraphy works


My calligraphy works are mainly divided into two categories: Modelled calligraphy -- including the regular script structure and the structure of Jiucheng Palace of Ouyang Xun; the Hundred Rhyme Song in cursive writing by Wang Xizhi; and the Memorial before Battle in cursive writing by Yue Fei.

Painting elements are added in my calligraphy works so that the writing and painting are perfectly blended. In addition, the artistic compositions and forms are diversified and go beyond limitations. These works are not only spiritual sustenance and implied with spiritual connotations but also revelations of the state of mind.



Photo by Jian Zhou

My calligraphy works are mostly “freehand”, as in Chinese characters are used as the models of creation for integral and harmonious beauty. My creations are not limited to the traditional calligraphy expressions. Instead, painting and other classes of arts are often borrowed to express my aesthetic tastes to the maximum extent.

二、中国画作品 

2. Chinese painting works


I have been looking for the appropriate status and development space of Chinese painting in contemporary cultural context throughout my artistic career, and never have I stopped my attempts of trying new patterns of expression so that Chinese painting can adapt itself to the development of times and be accepted and acknowledged by more and more youths.


Autograph is not used as one of the fixed elements in my Chinese painting works, in which way not only the works are more pictorially tense, but they also happen to coincide with western paintings so that the paintings are illustrated in a purer way. I don’t have the habit of preparing drafts before painting. I am more inclined to improvisation as in the painting is created spontaneously along with my sensations.

My Chinese painting works are mostly depictions of plum blossoms, lotuses and landscape.



Traditionally speaking, plum blossoms and lotuses are categorized as the bird-and-flower genre in Chinese painting. They are independently categorized in my works. Chinese literati are historically inherited with the habitude of making use of objects and landscapes to express their ideas and emotions. 




Plum blossoms and lotuses are respectively featured with their own characteristics and endowed with unique spirits. When everything withers in the winter, plum blossoms bloom against the world, and they tend to be more vigorous when the weather becomes colder and fiercer.



A lotus remains its pureness despite its origin in sludge, and it never becomes coquettish after being cleaned in clear water. Lotuses have long been favored and respected by people from of old since they stay elegant while being low key. Lotuses are indeed the role model of high moral character among flowers. They not only make a place more beautiful but also purify human heart.



Lotuses have to be depicted with soft brushwork. I usually use goat hair brush which tends to be more moist so that lotuses can be painted with more textures but their character also stands vividly revealed on paper.



三、我的写意山水画

3. My freehand landscape paintings


Imitation of the reality world or subjective expression are the fundamental factors that determine the level of artistic tastes. I personally prefer the latter, as in turning objective images into subjective ideas so that the imagery expressions and brushwork may present abstract formal significance and vast aesthetic perception in an implicit and indistinct manner.



The ranges and peaks, and floating clouds painted in these works are all filtered and screened subjectively by souls without exception in order to manifest my unique spiritual sustenance. Naturalness, magnificence, grandeur, “luxuriantly green” in close distance and “boundless” in further distance, all of which are the significant features of my landscape paintings.




I learned from the nature predecessors to form my own style of landscape painting in combination of my own aesthetic orientations. My use of brush is succinct in creation and I use ink boldly. The lines in the paintings are interlaced and finished smoothly, demonstrating the charm of landscapes to the fullest.






四、我的抽象水墨画作品实验


4. My experimental works of abstract ink & wash painting


惚兮恍兮,其中有象;恍兮惚兮,其中有物。

——老子

There are images and objects in absent-mindedness. - Laos

Laozi’s discussion of “objective images” serves as the inspiration of my abstract landscape paintings. Intentional or unintentional scribblings totally follow the lead of my feelings during the creation of this series of works, and I was completely immersed in an atmosphere where I lost the senses of objectivism and subjectivism.





I was allowed to create freely in my inner world, and the traditional context of Chinese painting has been completely overthrown. Emotions, colors, inks, points, lines, sides and spaces are intertwined in these works, making up exciting visual patterns one after another, which are indeed “lingering”.



Good works not only catch the eyes of the audience, but are also visually pleasing. These works are not given names, leaving unlimited space and aftertaste for the viewers. This series of works breach the restraints of traditional Chinese paintings, and reflect the concerns and tolerance for different regions, ethnicities and cultural contexts.

Due to the limited space of the exhibition hall, there are only 45 works being exhibited, including: Chinese calligraphy works – semi-cursive writing. Chinese painting works – freehand bird-and-flower paintings, freehand landscape paintings; freehand plum blossoms collection, freehand lotuses collection, freehand landscape collection. Abstract ink and wash collection. All these works were created in recent years and represent my creations in this period, demonstrating my areas and academic concepts in calligraphy, painting art, research, creation and practices.

Friday, March 15, 2013

Opening night of Jason Koster's portraits

Flyer for Jason Koster's show
Art is never simple. There's always a story behind it, and the story behind Jason Koster's portraits is fascinating.

I attended his opening at the Walter Art Gallery in Scottsdale tonight and was blown away.  I had seen his work online, but when you see it in person, it's really personal and raw.

But, he also told me the backstory that helped create his art -- and because a picture, especially in this case, is worth a thousand words, I'm going to tell you what it is.

The portraits when you look at at them are clear and feel honest.  The models are gorgeous in their natural skins without needing makeup -- but the kicker is they are not models. And these portraits were not shot in a studio with fancy lighting. They were shot in a box.

Yes, a box. 

Jason showed me the box at the opening and it looked like a foamcore structure covered with silver insulation. That's because these amazing portraits were shot at Burning Man in the middle of the desert and the "models" were just people willing to get into the box.

Jason Koster's bike towing the portrait box
"At first it was a black box, but it became an oven in the desert so I added the insulation," said Jason. "I also needed to make sure it was collapsable so I could move with it."

Oh...and I can't forget my favorite part of the portraits. It's the eyes.   

The gazes are mesmerizing in their honesty - so much so that you can't turn away and don't want to. But that's when you notice the rectangular light in their pupils.

It's there you can see the box...and Jason.  In a way it makes the portrait even more personal because you can see the artist creating the work within the work.  

Artist/photographer Jason Koster in the box
You really need to go see it for yourself. The whole thing is kind of interesting and if you check out the show (which runs until April 3), you may see the bike Jason rode at Burning Man parked outside the gallery along with the box where the portraits were taken.

And I'm not the only one who found the box portraits incredible.  Senator John McCain also loved them and had to have his portrait taken in the box.

So I'm asking...would, could you in a box?





Wednesday, January 30, 2013

Last minute art submission

In addition to being a writer, I’m also an artist.  Although, I’m a bit like Justin Timberlake in that I only focus on one domain at a time.

Justin either acts – or creates music. I either write or create art – but never at the same time; or never really well at the same time.  Don’t ask me why. It’s just the way it works out.  Maybe one day my brain will multi-task my talents so I can be amazing at everything at once, but whatever.

Anyway, I have this art sitting around my apartment that only my friends have seen. I’ve never bothered putting it in a show just in case I sucked, and really, the last thing I want to hear is that I have no talent. It would be like Grade 6 all over again.

So when a friend mentioned this exotic art show coming up at the Alwun House in Phoenix, I figured it was about time I faced my art-rejection fear and submitted something.  Besides the show promised to be "the nation’s longest running exhibit of erotic and exotic art."  It could be cool...or at least the artists submitting would be interesting.

I'm making it sound like I had been planning this for weeks, but actually it was a little more spontaneous than that.

On Sunday, I checked website just to see when the show started. At this time, I hadn't thought about submitting -- only attending. Then I noticed the art submission link. 

On a whim, I called up the organizers and asked them if there was still time to submit.  They said yes, but I needed to have it to them by 6 p.m. that day.  (aahhh!!) They would tell me on the spot whether they would accept or reject my piece for the show. (double-aahhh!!!)

I looked at the clock. It was already 3:30 p.m.  

Thankfully the piece I had was already framed. I immediately wrapped it bubble wrap, drove down to the gallery and handed it in. There really wasn’t any time to worry about if they would think the piece sucked or else I would have backed out…again.

They did accept it. The gala opening is Feb 8 with the show running Feb 12 to March 8.

If only getting my next book published was that easy.

Saturday, August 29, 2009

Sexy stilettos for the Cinderella in me

Just call me Cinderella, because I totally have a shoe fetish. But not just any old shoes. It's stilettos and high boots that make my heart go all a flutter and my toes curl in delight (this blue one is my favorite).

And this weekend, I think I met my Prince Charming -- when it comes to fairy tale shoes that is.

Houston wood sculpter Omar Angel Perez has created a collection of stilettos that have left me and other women wishing they weren't just for artistic display.

"All the heels are a perfect size 8 to 9, but you would never be able to really wear any of them. Although, I've had a lot of women tell that they wish they could," said Perez.

That's because the instead of the traditional 3 or 4 inch heels, Perez' stilettos average 15 to 24 inches tall.

The shoes are constructed out of wood and are accented with various items including band saw blades, snakeskin, leather, feathers and Swarovski crystals. His sexy stiletto creations are currently on display at the Houston Center of Contemporary Craft.

Perez's shoes have been on display in Massachusetts, Washington and Georgia. While they are causing quite a stir in the art world, he says the project started off as a joke.

"I made the first pair just over a year ago as a joke and my wife didn't even know about it. I was in the workshop working on them and I said, 'Honey, I got a little something that I need you to take a picture of,'" said Perez. "The first thing that came out her mouth was, 'You are so crazy.'

Then she said, ' I love them.'"

Unlike me, Perez says he doesn't have a shoe fetish. Instead, he believes that stilettos take a woman to a different mindset and transforms her personality.

"I think heels give women a different persona, so I tried to explore that with my stiletto series. Some of them have a little attitude like my biker heels which have spikes on them," said Perez.

Other shoes in Perez's collection are more about bringing women to new exotic locations. In fact, one of the pairs contains Indian currency as part of the design and henna dye.

"I was using the idea of taking a woman to a different place," said Perez.
Another pair of stilettos is dedicated to wine drinking. The shoes contains cork and corkscrew elements, while another unique pair has a 50mm bullet added to the design.

Nicole Kidman's character in Moulin Rouge also inspired a pair of Perez' shoes. The pair is titled "Satine" and in order to portray Kidman's performance of "Diamonds are a Girl's Best Friend," the shoes have 100 crystals attached to them.

"I'm really having a lot of fun with the juxtaposition of different elements and how they go together," said Perez. "Stillettos take a woman to a different location, mindset and mood when she wears them --at least that's what I think based on my male perspective."

Omar has sculpted 25 pairs so far and the most expensive pair has sold for $2,400.

Omar's Stillett"O" exhibit will be on display from Saturday August 29 through Sunday October 25 at the Houston Center of Contemporary Craft.

The artist's reception will be held on September 3 from 5:30 p.m. to 8:00 p.m. and is open to the public.

Saturday, July 25, 2009

Love Criss Angel Mindfreak? Check out CoRE

I'm going to be honest here -the event I'm about to blog about is not for everyone.

But if you are looking for a show that is memorizing with powerful movements, imagery and music, then check out CoRE at the Meridian on July 25.

CRISS ANGEL IS A WUSS COMPARED TO THESE GUYS

When I first heard about the event, someone told me it was a performance that blended theatrical arts with ancient and modern day rituals of suspension and body piercing.

I know - it sounds a little different from your traditional theatre experience, but I had two big questions: "People really go see that?" and "What exactly does it mean?"

So I had to find out more. And guess what? While it's not exactly a family event, it's kind of cool. That's because the theatre performances of CoRE are sort of like a combination of Criss Angel Mindfreak and Cirque du Soleil, except a lot more raw and intense. In fact, after checking out some their stuff I'm beginning to think Criss Angel may need to kick it up a notch.

"The show is similar to the small original street performances of Cirque du Soleil before they hit the bit time," said Gary Driscoll, Marketing Director of CoRE.

Yup, that's right. There's great lighting, original music, costumes - the whole works. And just like other theatrical performances, the entire audience becomes immersed in the event while becoming a part of it.

But instead of acrobats swinging around or Criss Angel being burned alive or getting run over while laying on a bed of nails, these performers use piercings, swords, spears and other ancient ritualistic items in their performance. There are also no magical illusions. This is the real thing.
"What we do is not new by any standards. The rituals that we do have been done by cultures all over the world. We just put a modern day spin on them and throw in some theatrics," said Driscoll.

SO WHAT WILL YOU SEE ON SATURDAY?

Saturday's performance the Meridian is a special show.

CoRE started in Houston nearly 10 years ago and has since branched out to Los Angeles and Oakland, California. The LA group recently lost their costumes and theatrical equipment in a fire, so showing their true Texas spirit, the Houston group has rallied together to put on a fundraiser for them.

"This show is a small one and it's got a carnival free to it," said Driscoll. "We want you to 'step right up and see the sideshow freak'."

Like all of their shows, this event will have lighting, costumes and original music. The audience will feel like they have been transported into a carnival, but there's a twist: This carnival has a real life voodoo doll as the main attraction.

"To raise money, we want people to buy a dart to hit the voodoo doll, and get a real live person pierced," said Driscoll.

Can you say "ouch"?

Of course, there are some restrictions. There are no piercings on the face, hands or private areas.

Are you ready to "Mindfreaked" Houston style and transported into a carnival that will open your eyes to an ancient artform? If so, check out CoRE at The Meridian.

EVENT DETAILS

Doors open at 9 p.m.
Cover is $10 for ages 21 and up and $12 for 18-21
Location: 1503 Chartres St., Houston , TX 77006
Performances by: ION, Morgue City and CoRE.

Monday, June 1, 2009

Goodbye Hello Kitty; Houston's Wendy Wagner is going to Japan

Ever wish you could just quit your job and take a chance on your dream? Well, 10 years ago Wendy Wagner did just that.

She gave up her career as a graphic artist to follow her dream of being a fine artist. Now, she's showing her work to a new viewing audience in Japan.

"It's my first time going to Japan. This will be my first solo show in a gallery in Tokyo," said Houston-based artist Wendy Wagner.

Wagner is an exhibiting artist here in the United States, but says she is ready to show her work to other places. She says her playful and whimsical style appealed to the gallery and connects well with the current Japanese aesthetic.

"The gallery had seen some of my pieces from 2007 that were inspired by my experience with 'Ice Capades' when I was little, and they liked them," Wagner said. "My mother had saved the brochures and some circus brochures, so I dissembled the images and reassembled them in my own language. They really responded to that series of work, so I did 15 new pieces for them."

Wagner's work will be on display from June 2 until June 20 at Gallery Trinity in the Roppongi District of central Tokyo. A couple larger pieces will also be displayed at hotels around the city.

Wagner says the show seemed to just fall into place, but the journey from Houston to Japan was a long time coming.

"Ever since I was a little child I've exhibited a talent for art and won lots of awards, but I didn't actually go to college for fine arts. I went to college for graphic design," Wagner said.

In 1990, Wagner moved from her hometown of Austin to attend Houston's art institute. She got a degree in visual communications and worked as a professional designer for 10 years. It was only then that she decided to make a drastic career change.

"I got burned out in design and was called back to my roots in fine arts. In 2000, I did a career change and decided to focus on fine arts, primarily painting," Wagner said.

From there Wagner's creativity took off and so did her career. By 2004, she noticed characters starting to emerge in her artwork, which pushed her to transform her 2-D designs into 3-D creations.

"I got involved in ceramics that were based on their little characters. I started giving them names and personalities," Wagner said.

But ceramics were just the beginning. From there she started thinking about animation and says because she had the computer background in graphic design, it was something that came natural for her.

"Creating the animations was part of the evolution. A lot of my work has loose narratives that are sometimes autobiographical stories with embellishments," Wagner said.

Then came the Qwerkys. Wagner says these creations are soft sculptures based on the characters in the animations. They are all part of Wagner's artistic evolution that promises to continue to grow.

"I'm glad I did the route that I did because I have experience in different things, such as the computer, that I can use in my work. Plus, working as a designer and under deadlines was good work experience," Wagner said.

Over the last decade, Wagner's work has been on exhibit internationally and in Houston. In May last year, she achieved one of the highest forms of recognition in the art world when she was announced as the 2008 Hunting Art Price winner for her painting "I Hope I'm Dreaming."

With more paintings on the way and her line of Qwerkys growing, there is no telling what the future will hold for this promising Houston-based artist.

"It's all cumulative to where I am now - everything that I've done," Wagner said.

Wagner will be in Tokyo the week of June 2 for the exhibit opening and a special artist talk.

Saturday, January 10, 2009

Ice sculpting at Discovery Green in Houston

There's more than skating going at Discovery Green; there's also ice sculpting-- but only this Saturday (January 10). I heard there was going to be seven artists sculpting so I drove down there to check it out.

Unfortunately, I was a little early as the ice was still in big cubes. But I did get to see them chisel away and chain saw some of the ice. There were ice chips flying everywhere!!

BREAKING OUT THE CHAIN SAWS

I highly recommend checking it, because these ice guys aren't want-to-be artists who are doing this for the first time. The guys are actually famous in the ice sculpting world.

In fact, the artists include Ben Rand (who just happens to be the #2 carver in the country), Dawson List, Vegas Iceman, Rich Bubin (Guinness Book World Record holder), Dan Rebolze, Robert Childres and Buddy Rassmussin.

The ice guys started carving away at 10 a.m. this morning, but when I got there at noon (yes, I was really early), they were just starting to chip out designs. They are going to be carving all afternoon and then at 5 p.m. the judging will begin.

THE SUPER COOL PART

I know that ice is already pretty cool, but the super cool part of the night is taking place at 6:15 p.m. That's when Reverend Butter of DLG Ice Factory is going to perform a 45-minute carving to live music by the band Downfall 2012.

If you have never seen Reverend Butter, I totally recommend going. He's an artist, entertainer and all round cool dude.

As you can tell, I love him. I had the chance to meet him at the Red Bull Art of Can exhibit in July 2008 and instantly became a fan of his work. It's not just his talent that will win you over, but his personality. He's a character - a true Texan with a style all his own.

CHECK IT OUT AND SEND ME YOUR PHOTOS

Even though I went early to the event, I took a bunch of photos. The only problem is I can't take the after shots as I'll be at the station. So...if you go, email them to me and I'll add them to the slideshow. I'd love to see what the final cubes of ice look like!

Email your photos to michelle@michelleponto.com.